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| From left: Wearing bald cap as prep for plaster. Drying out. Finished bust of head & neck. Photos courtesy: Crist Ballas |
says Crist. And he is correct. The plaster is slightly scented with spearmint, and it's warm & gooey. Having it cover my face, neck, and head, all while having fingers prodding around gently- very much like getting a facial at a spa. Once it's on, sound becomes muffled. Much like being under water in a pool. while I am not claustrophobic, there's one or two moments when I tell myself "I am fine, just breathe, the desire to pull off this hardening plaster is just an instinct..." As the plaster dries it seems to get heavier. It does feel great once Crist cuts me out of the head mold.
I've been fortunate to work with the expertise of Crist many
times in the past for special effects work. He's the one who created the Moss Boy look for the controversial Rolling Stone
ad that never ran, and my Elvish ears for a fantasy film.
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| From Left: Elf costume design by Katrina Hawley. Moss effect by Crist Ballas |
Crist even let me keep the elf ears after filming was done.
I have no idea how Crist
does what he does. He's like a mad scientist or eccentric artist. I
imagine he works like a sculptor. Which is something I don't understand.
Two dimensional sketching, sure, I get that. Three dimensional
sculpting. No clue here. Fortunately, I am the actor, Crist is the master special effects artisan. Utilizing techniques with plaster, rubber, and his
sculpting tools, he creates modern day monsters that would make the
likes of Universal Studios proud.


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